» A laughing matter
Comedy: October 30th, 2007
Victoria Nangle goes off-script to reflect on a comedy-filled October in Brighton
I saw some excellent gigs during the Brighton comedy month of October. Obviously, with so many flying about at the Paramount, the Fresh Meat and the Brighton Comedy Fringe festivals we should all have seen some fandabidozee clangers of excellent gigs. However, the ones that have stayed freshest in my mind are the ones that no one else will ever see again. Sure, the comics may continue their tours but no one will catch the off-script off-kilter random-madness and absent-minded cleverness that certain stand-ups managed to deliver, chiefly because they have no idea how they got there this time either.
Off-script. It’s great. And really demonstrates quite how the random mind of a good comic works. To think on your toes and still find unexplored tangents that captivate – from a set they’ve been performing for the last three months non-stop – sure shows a madly active mind more than anything else I could name. When a comic looks round furtively and asks if there are any journalists in and then rubs their hands with glee, my smile is already there. Then, as he explains the joys of riding on his gran’s Stanna stairlift you know he’s doing that because he’s having fun too. Hence, the cycle of unique one-off fun continues.
“They’re brave adventurers mining out extra laughs for the sheer joy of the experience”
Don’t get me wrong, there’s nothing wrong with staying on-script. Comics have worked long and hard to get their finest gags together, lined up in quick succession in some semblance of an order. It’ll be grand, and more likely to have you laughing out loud with merry amusement. Off-script is more likely to leave me smiling knowingly with a slight chuckle than loudly guffawing and falling off my chair with merriment, but I still love the magic of the one-off musing. It just demonstrates quite how genuine the rest of the set is.
To see the comic brain in action – if it’s a good comic brain, obviously – is a thing of awe. Russell Howard does it, Robin Ince does it, Zoe Lyons does it. They’ve all been standing in front of a crowd for enough years to be concentrating more on how interesting what they’re saying is – to them as well as to us – than how scary it might be to make a balls-up of it all. It leads me to trust them, because no one’s written that tangent for them in the style of the rest. It just jumped into their heads and they thought it might make us laugh ’cos it made them chuckle. Surely the most intimate thing we can share in polite society is a sense of humour.
I feel I know the comics that went into unknown territory a little better than the straight scripted ones. They’re brave adventurers mining out extra laughs for the sheer joy of the experience. Now that’s what I call a pioneering comic.



Andy Vella has been a professional designer, photographer and artist for over twenty years and is best known for his designs and images that grace much of The Cure’s output, for whom he still works. Penile Dementia is his first solo exhibition and features huge canvases and sculptural pieces depicting grumpy, ageing and deformed nudes. Vella’s fascination with the grotesque stems from watching monkeys masturbating at Longleat and seeing old men playing pocket billiards whilst waiting for the bus. It’s an exhibition that is bound to cause a stirring in more areas than one.




