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30 June 09 - 06 July 09

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» Latest Sport: The Great Escape

Latest Sport’s Peter Knight takes stock of Albion’s pitch-invading season finale

Phew. That was very close indeed. Two weeks on since surviving on the last day of the campaign, the adrenaline and delight is still racing through our veins as next season’s expectation takes over. That afternoon our eagerness for that game to end literally spilled out with, not one, but two pitch invasions and the relief drained out of us as quickly as the celebration drinks followed in.
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» Review: Comic Boom

It was a good time at Boom’s farewell to April, with some raucous laughter, as well as a couple of quieter moments. Rosie Wilby demonstrated the promise of an excellent Fringe show to come, with sharp gags, soft delivery and a steady confidence that made us love her. Nick Helm’s energy was infectious and a great way to start the night, and Rich Heap’s low energy high laughter set never let a moment pass without a tear of mirth at somebody’s eye. Headliners Ginger and Black were excellent, with their caustic songs cutting straight to the funny bone.
Komedia, 30 April
4/5
Anna DeAngelo

» Terry Rawlings interview

Film editor Terry Rawlings talks to Andy Morton

Alien is available on DVD. © 2009. Twentieth Century Fox Home Entertainment

In today’s movie-fixated culture, blockbuster actors and directors are routinely accorded celebrity status – but filmmaking has always been very much a team effort, and few team members’ roles are as visible, yet underrated as that of the editor. Terry Rawlings may not be a household name, but you’ll almost certainly have seen his work. He recently retired from a forty-five year career working with many of Hollywood’s most successful directors, on iconic movies including Women in Love, The Devils, Tommy, The Duellists, Blade Runner, Alien, Chariots of Fire and Watership Down. Read the rest of this article »

» Shaking it up

A community archive shows what happens with a little people power


Rattling the Cage is a community archive of documents, textiles, photography and film used in the ‘Save Omar’ campaign, which has been curated by Louise Purbrick. It demonstrates the power of improvisation.
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