Tuesday 22nd May

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Tuesday 22nd May

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22 May 12 - 28 May 12

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» Review: Alexander Karpeyev

Every now and again a new performer will send a reviewer scurrying off in search of their thesaurus in order to max out on the superlatives that justifiably should be tagged onto their concert critique. Space does not allow such luxury here, however. Suffice to say that Alexander Karpeyev’s lunchtime piano recital of Beethoven’s E Flat Sonata, Schumann’s Humoreske and Liszt’s terrifyingly explosive Rapsodie Espagnole was arguably the most spell-binding, nerve-jangling, tear-rending performance I have ever seen at these events.
Whoever is responsible for the quality of the musical entertainment and getting lunchtime Festival bums on seats, take a big bow.

Pavilion Theatre, Brighton Dome,
26 May

Rating: ★★★★★

Paul Clark

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» Brighton Lights 31

Our new programme for thelatest.tv sees Juice FM presenter Guy Lloyd investigate all manner of things. He starts off with chart-topping band The Hoosiers who were mega-successful a couple of years ago, were dropped by their major label and have become fashionably independent. Their chart-topping album cost £1 million to record, their new album £100 and we reckon it's just as good. We have exclusive footage of this new record. Guy does crazy-golfing with them, checks out their sound-check and witnesses the fans' adoration of the band at Audio in Brighton. In future shows Guy will be doing waxing, Dot Cotton, air guitar and needs your suggestions for more crazy things (or people) to do. Send to bill@thelatest.co.uk

» Artists Open Houses

AOH Special: It’s Festival time in Brighton & Hove, which means the Artists Open Houses have opened their doors for another year! Maps of all the trails can be picked up across the city. We love nothing better than browsing and buying arts and crafts, and there is so much going on throughout May that we’ve made it easier by bringing the Artists Open Houses to you! We have 11 special programmes, featuring artists in their own houses. So here’s your chance to go ‘through the keyhole’ so to speak as we visit the artists in their own environment.

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