‏Butterfly Lion

‏Whilst at one end of the theatre world there is a frenzy of technological wizardry, lasers, computers and all manner of hydronic devices, thank heavens that at the other end there is still a belief that the pure art of theatre does not depend on such devices. Butterfly Lion is such a show and all the better for it. Michael Morpurgo’s gentle story is beautifully translated to the stage using a simply array of props and puppets and delightfully evocative lighting. And of course puppets, how else would they populate the stage with hyenas and a white lion?

‏All this makes for an excellent evening of theatre but only in part, what it really depends on is a strong cast and this they have too. Adam Buchanan plays the central figures of Michael and Bertie with great charm. He manages to capture the innocence and naievety of the small boys and as Bertie grows the self-effacing delight of the young battle hero. Lloyd Notice is a soothing voice as the narrator, powering the story forward as well as handling the lion puppet with great skill. Gwen Taylor once again proves that she is an actor of great strength slipping seamlessly from Millie the older widow to Millie the child and Millie the nurse in a way that defies her actual age.

‏The entire ensemble handle all of the remaining parts, both human and landscape and animal in a way that proves that there is a place for physical theatre in the mainstream.

‏This is captivating theatre that held a young audience rapt, and there lies my one worry. The marketing of this production is way off mark, it looks far too adult, and too scary for what is essentially a morality tale aimed at young people. It works for adults of course, but I fear that the producers are saddling this with too much of the matter that surrounds the success of David Morpurgo’s West End hit Warhorse. Commercially I can see why, but surely they will miss out on attracting that younger audience and introducing them to the pure magic of theatre.

‏Theatre Royal Brighton, ‏11 November 2013

Rating:


‏Andrew Kay



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