- 15 May 2025
Over the years I have enjoyed so much of director and theatre maker Emma Rice’s...
- 14 May 2025
No fuss, just a ripple of applause, a moment of calm, then fortissimo G octaves....
- 13 May 2025
It’s so lovely when talented youth teaches old ears wonderful new tunes. That’s exactly what...
- 11 May 2025
I am audience. Or at least until last night that would be how I categorise...
- 10 May 2025
What nerve! For a happy troupe of mainly middle-aged men to adopt the label of...
Anoushka Shanka’s curating of the Brighton Festival 2025 has divided opinion, whilst many of us...
- 9 May 2025
Kumar Muniandy’s one person drama is anything but second class, it goes beyond first class,...
- 8 May 2025
Five excellent musicians – that is three singers, one also playing a Vielle (an early...
- 7 May 2025
Brighton Fringe 2025 has an impressive number of LGBTQ+ pieces, from comedy to the serious....
- 5 May 2025
Handel always sounds stately and special, especially when played by six such superlative musicians. Directing...
- 4 May 2025
Where do you start? Where does he start? There was a post show discussion with...
Oblique Theatre are the stuff from which any fringe festival should be made of. The...
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