Reviews

Alexei Grynyuk (piano)

- 20 May 2022

A gentle Chorale by Mendelssohn began this recital which was followed by ever more elaborate...

Hamish Dustagheer (organ)

- 18 May 2022

As the new Director of Music at St Bartholomew’s, Hamish Dustagheer clearly wanted to impress...

COCKY & THE TARDIGRADES

- 16 May 2022

Brighton Theatre are -well what it says! They’ve won 9 Edinburgh Fringe Firsts and worked with...

LOVE & MONEY

- 15 May 2022

The Sarah Mann Company have a strong track record for producing excellent work here in...

Iyad Sughayer (piano)

- 13 May 2022

Iyad Sughayer is like a ray of Spring sunshine. Such a relaxed rapport with the...

Charlotte Saluste-Bridoux (violin) & Ariel Lanyi (piano)

- 13 May 2022

‘Lush Romanticism’ was the promise – they gave us so much better! Clara Schumann’s Op.22,...

‘Untethered’ – Hugh Cutting (countertenor) & George Ireland (piano)

- 11 May 2022

Countertenors used to be restricted to College choirs and Early Music ensembles, only showing their...

BESYO, Jeneba Kanneh-Mason (piano), Peter Davison (conductor)

- 10 May 2022

There was a thrill in the air as this recently formed orchestra tuned up for...

Hofesh Shecter Company: Double Murder

- 8 May 2022

Hofesh Shecter and his amazing company are back and what could be a more exciting...

Brighton Gay Mens’ Chorus: Divas

Brighton Gay Mens’ Chorus: Divas

- 7 May 2022

A delightful start to the Brighton Fringe Festival, BGMC always put on a good show,...

THE HOMECOMING

- 3 May 2022

Pinter himself never pandered to questions about what his plays meant so far be it...

BLONDIE

- 29 April 2022

Sat in the my seat at The Brighton Centre and pondering the age of Debbie...