Borodin’s ‘Prince Igor Overture’ was a sweet opener, with mellifluous flute and stirring strings setting...

Timberlake Wertenbaker’s play was commissioned by Max Stafford-Clark back in 1988 – and is as...

Experimental rock/noise artist Ben Frost’s opening of distorted guitar in a screechy, drone sort of...

Inspired programming gave BREMF 2014 a resounding climax appropriate for Remembrance Sunday. Instead of any...

A simple black back-drop turned St George’s into a creditable Baroque theatre in which a...

There was extraordinary variety in this enchanting programme. Formality, improvisation and virtuosity so excellent one...

George Egg created a gourmet, 3-course meal in one hour, using the tools and condiments...

For their ‘Grand Tour Shorts’ programme, Ars Eloquentiae was made up of two violins, baroque...

Released on a label that has produced some high quality global crate digging compilations in...

Harmonia Artificiosa, otherwise Elicia Silverstein and John McKean, are a class act originally from the...

I was ready to make allowances for these eight young singers who had only 15...