Reviews

DARK NOON

- 22 May 2026

Seldom is theatre as disquieting as this remarkable work from South Africa, a work that...

Glyndebourne’s Jerwood Young Artists, Matthew Fletcher (piano)

- 19 May 2026

They’re all stars and already delivering great things. This year’s programme ran the full gamut...

FESTIVAL – Oh To Believe in Another World – BPO, Simon Blendis (leader), Joanna MacGregor (conductor)

- 19 May 2026

Shostakovich’s 10th Symphony will fill the Albert Hall, so it’s no surprise that the Dome...

THE BLACK SAINT & THE SINNER LADY

- 17 May 2026

In a week where I saw a play about the lack or suppression of joy...

RESOUND: PICK & MIX

- 16 May 2026

Resound have made a name and built a reputation amongst the city’s community choirs based...

ALLEGRA

- 15 May 2026

It’s only part way into Peter Quilter‘s new play that we discover why she is...

Sherri Lun (solo piano)

- 14 May 2026

With fingers like tempered steel but capable of a feathery lightness of touch, Sherri Lun’s...

Astatine Trio

- 14 May 2026

Music can be so therapeutic. I was under the weather before this concert and so...

CARNATION: NO FIT STATE CIRCUS

- 8 May 2026

A friend asked me the other day what the difference is between No Fit State...

Minerva Baroque – Handel’s Music Room

- 8 May 2026

Minerva Baroque boldly took us back in time to an early Georgian Music Room, Mr...

LIBERACE & LIZA

- 7 May 2026

Old enough to remember seeing Liberace on our black and white TV as a child,...

KOHLHAAS

- 5 May 2026

‘If a man can break the circle of the world for just two horses, then...




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