Reviews

‘Untethered’ – Hugh Cutting (countertenor) & George Ireland (piano)

- 11 May 2022

Countertenors used to be restricted to College choirs and Early Music ensembles, only showing their...

BESYO, Jeneba Kanneh-Mason (piano), Peter Davison (conductor)

- 10 May 2022

There was a thrill in the air as this recently formed orchestra tuned up for...

Hofesh Shecter Company: Double Murder

- 8 May 2022

Hofesh Shecter and his amazing company are back and what could be a more exciting...

Brighton Gay Mens’ Chorus: Divas

Brighton Gay Mens’ Chorus: Divas

- 7 May 2022

A delightful start to the Brighton Fringe Festival, BGMC always put on a good show,...

THE HOMECOMING

- 3 May 2022

Pinter himself never pandered to questions about what his plays meant so far be it...

BLONDIE

- 29 April 2022

Sat in the my seat at The Brighton Centre and pondering the age of Debbie...

The Rise And Fall Of Little Voice

- 29 April 2022

Like so many films made of plays it is easy to forget how much of...

Derek Granger BAFTA

Derek Granger in conversation with David Grindley

- 26 April 2022

Eastbourne College has thriving departments of Drama and English. Their summer Creative Arts Festival has...

SHEILA’S ISLAND

- 20 April 2022

This is a play that I saw some years back at Chichester Festival Theatre in...

PRIVATE LIVES

- 13 April 2022

There is little doubt that Noël Coward’s 92 year old play is one of the...

BRAM STOKER’S DRACULA: One Man’s Search For The Truth

- 5 April 2022

Bram Stoker’s gothic horror must be amongst the best know stories of all time, and...

RITA BIX: AN EVENING WITH

- 4 April 2022

Rita Bix, Lady Rita Bix I should say, is something of a newcomer to the...