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BREMF – BHASVIC Consort of Viols

- 23 October 2025

Viols of all sizes were very popular in Tudor and Stuart Britain but they fell...

Craig Jordan-Baker on Brick Dust and the Art of Storytelling

- 22 October 2025

Craig Jordan-Baker discusses his new book Brick Dust, exploring themes of family, hoarding, and the...

BREMF – Ricordanze – A Record of Love – Musica Secreta, Laurie Stras (director)

- 20 October 2025

Isn’t it rather naughty to be obsessed with nuns? Well, when their music is so...

BPO –The Romantics: Samuel Coleridge-Taylor and Mahler –Elena Urioste (violin), Alice Farnham (conductor)

- 20 October 2025

There’s a very good reason that Coleridge-Taylor’s work was so popular 100 years ago, and...

BREMF – BREMF Emerging Artists Showcase

- 20 October 2025

The BREMF Emerging Artists scheme can be the making of a career. There are four...

BREMF – Baroque Odyssey

- 18 October 2025

The atmosphere was electric – the heart of the church was curtained on three sides...

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Reviews

ELLEN KENT OPERA: La Boheme & Madama Butterfly

- 27 April 2023

I’m going to start with words not about the two performances this week but about...

Home, I’m Darling

- 12 April 2023

There are moments when I successfully manage to avoid reading too much about a new...

It’s all Greek to me

- 10 April 2023

I’ve long protested at the general belief that a visit to the theatre or a...

BREMF Consort of Voices

BREMF – A Double Bill for Passiontide & Easter – BREMF Consort of Voices

- 3 April 2023

How does penitential music bring so much pleasure? With such magnificent works performed so well....

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