Reviews

London Philharmonic Orchestra, Vasily Petrenko (conductor), Albrecht Menzel (violin)

- 25 February 2018

Berlioz’ Overture for Béatrice et Bénédict made for a combative, luxuriant opening number, setting the...

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Samantha Baines

- 22 February 2018

It’s a great premise – recognising several of the women from history who have made major...

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British Sea Power

- 22 February 2018

Expectation can be a cruel mistress… By the high standards these live pioneers have set...

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Paul Weller

- 22 February 2018

It’s baffling that Paul Weller still hasn’t made the jump to being held in full...

Bilal Zafar

- 22 February 2018

Bilal Zafar made astute observations about his own experience dating as a young Muslim man....

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Paul Draper

- 21 February 2018

Hotly anticipated by the sold out crowd for years, an experience they had long believed...

Hair

- 21 February 2018

It’s hard to know where to start with this new Brighton Theatre Group production. Hair...

Les Miserable School Edition

- 18 February 2018

Les Mis is a show I know all too well, a clever, well constructed musical...

The Kite Runner

- 16 February 2018

The Kite Runner is an adaptation of the acclaimed 2003 novel. Set across 30 years,...

Hayseed Dixie

- 14 February 2018

Some bands take themselves far too seriously. This could not be said of Hayseed Dixie,...

Brighton Philharmonic Orchestra, Howard Shelley (conductor/piano)

- 12 February 2018

Brighton Philharmonic Orchestra delivered a nuanced performance of Schubert’s Symphony No.8 (Unfinished), with the warm...

Atomos

- 9 February 2018

Wayne McGregor’s dance/film piece Atomos does indeed feel like it’s made up of distinct units,...