- 16 November 2022
Community groups and good causes across Brighton and Hove are once again being invited to...
- 15 November 2022
Dear Editor, The need for the Government to prioritise dementia care has never been more...
- 5 November 2022
Peter Gill’s’s 2001 play is the rarest of dramas. A queer story that is not...
- 2 November 2022
Theatre Royal Brighton’s stage is undeniably small, small but in my view perfectly formed. But...
- 2 November 2022
Attending a premiere always carries with it equal amounts of excitement and trepidation, stepping into...
Reviews
Bournemouth Symphony Orchestra, Julian Kuerti (conductor), Alexander Romanovsky (piano)
- 17 November 2014
Borodin’s ‘Prince Igor Overture’ was a sweet opener, with mellifluous flute and stirring strings setting...
Our Country’s Good
- 12 November 2014
Timberlake Wertenbaker’s play was commissioned by Max Stafford-Clark back in 1988 – and is as...
Ben Frost
- 11 November 2014
Experimental rock/noise artist Ben Frost’s opening of distorted guitar in a screechy, drone sort of...