Nina Conti is remarkable, in her talent, her honesty and her boldness to constantly move...

Separate dance pieces delved into the lives of three different people, starting off with a...

Works by Mark-Anthony Turnage can discourage ticket sales, but pair him with ever-popular Tchaikovsky and...

A trio of very different pieces showcased the Heath Quartet’s breadth of styles and talent;...

We were promised ‘A joyously original programme of choral singing’ and it was that, although...

I loved this intelligently balanced programme of Liszt, Rubenstein, Dvořák and Schumann songs. However, the...

Handel required much from his singers, male, female or castrato. ‘Being Both’ demanded the whole...

Exploring the inspiration of Stravinsky, the programme had a fresh sense of excitement and pace...

Subtitled ‘Exoticism and Folk Music’, when the lightest item in the programme is Bartók’s ‘Romanian...

Only the fool-hardy or brilliant would start with Schumann’s ‘Concerto without Orchestra’, an ardent, ambitiously...

Louise Alder began with Gypsy songs by Schumann, one bright-voiced and the second beguilingly plaintive....