Reviews

Helen Keen: Woman of the Future!

Helen Keen: Woman of the Future!

- 22 May 2012

Her latest Radio 4 series ‘It Is Rocket Science’ began broadcasting only last week, but...

Balloon

Balloon

- 22 May 2012

It’s 7 o’clock and Clive (Michael J Buchanan-Dunne) is getting ready to host his 36th...

If I Ruled The World

If I Ruled The World

- 22 May 2012

‘Have you come alone’? ‘Were you followed’? Press play precisely on the hour and the...

Brighton Palermo Remix

Brighton Palermo Remix

- 22 May 2012

This HOUSE 21012/Brighton Festival co-commission was borne from witnessing a traditional street illumination street festival...

Stand Up Scotland!

Stand Up Scotland!

- 21 May 2012

Having seen many many English comics in rooms above pubs at the Edinburgh Fringe, it...

An Instinct For Kindness

An Instinct For Kindness

- 21 May 2012

This emotionally rousing and thought provoking one-man show was written and performed by Chris Larner,...

Eidos Trio

Eidos Trio

- 21 May 2012

In association with Kirckman Concert Society and the Lankelly Chase Foundation, the Eidos Trio treated...

My Gay Best Friend

My Gay Best Friend

- 21 May 2012

Nigel Fairs’ two handed play outlining the relationship between a fifty-something woman and a 45-year-old...

Best of Late Night Gimp Fight

Best of Late Night Gimp Fight

- 21 May 2012

Award-winning sketch group Late Night Gimp Fight returned to Brighton in a blaze of glory...

The Big Bite-Size Vintage Tea Party

The Big Bite-Size Vintage Tea Party

- 21 May 2012

A series of short plays crocheted together by a singing trio of wartime lovelies, this...

Bach Mass in B minor, Canticle Chamber Choir

Bach Mass in B minor, Canticle Chamber Choir

- 21 May 2012

Supported by the University of Sussex, the Canticle Chamber Choir brings together students and more...

Britten Sinfonia, Jacqueline Shave (director) Roderick Williams (baritone)

Britten Sinfonia, Jacqueline Shave (director) Roderick Williams (baritone)

- 21 May 2012

Anton Webern wrote his orchestral arrangements of Schubert’s dances and songs as academic exercises but...