- 3 March 2017
Shazia Mirza broke the mold of conventional comedy last night. Her harrowing, hilarious, offensive, moral...
- 2 March 2017
Malgorzata Dzierzon’s work Flight was a triumph of bending bodies, the enclosed and the free,...
Wow. Richard Gadd achieved what should be impossible when he put together an articulate, immersive,...
- 1 March 2017
As part of Worthing Theatre’s preview of their forthcoming ‘Summer Of Circus’, Cul De Sac...
- 28 February 2017
A Judgement In Stone is one of Ruth Rendelll’s most celebrated whodunnits. It was published...
- 25 February 2017
How do you ever fit Aïda into the Theatre Royal? With a very musical shoehorn....
- 24 February 2017
Stewart Lee wanted to make a show about X, but he keeps getting sidelined by...
From the opening tom-foolery through to its painfully anguished ending, this production grips the audience,...
- 23 February 2017
German Cornejo’s Argentinian dance troupe is considered the world’s leading Tango company and it was...
My dear fellow, you simply must attend the latest Jane Austen adaptation. It is excessively...
- 21 February 2017
Teleman are firmly establishing themselves as one of the most underrated bands in the country,...
- 20 February 2017
The first half of Candoco Dance Company’s double bill (Alexander Whitley’s Beheld) was fantastic. A...
